Ulf think this is going to be an ordinary summer. Going to his grand parents and swim in the lake and tease his brother. But that's not the case, because this summer he will fall in love with Pia.

t's Ginger Shapiro's wedding day. It's going to be perfect even though she's eight-months pregnant, been robbed, kidnapped and thinks her fiancé Henry is dead - he's not - and then there's her grandmother's curse! It's a race to the altar in this escalating comedy of errors where Ginger and Henry might just stand a chance of living happily ever after.

t's Ginger Shapiro's wedding day. It's going to be perfect even though she's eight-months pregnant, been robbed, kidnapped and thinks her fiancé Henry is dead - he's not - and then there's her grandmother's curse! It's a race to the altar in this escalating comedy of errors where Ginger and Henry might just stand a chance of living happily ever after.

Flighty Emily "Jacks" Jackson works for the British edition of Vogue magazine. Rather than pursue a relationship, Jacks regularly hooks up with her devoted ex-boyfriend, James Wildstone, and lives with Peter Simon, a gay screenwriter. When Jacks meets Argentinian photographer's assistant Paolo Sarmiento, she assumes he is gay and tries to bring him and Peter together, unaware that Paolo is straight and in love with her.

Ville, 25, is a downbeat former child star who's successfully avoided his womanizing rock 'n' roll dad for years. Everything changes when his dad moves into his flat and they both fall in love with the same American line-dancing teacher.

A drama, set in St. Louis in 1950, concerning an American family and the first courtship and sexual awakening of the teenage son. Ben Griffin lives with his widowed mother and beautiful 22-year-old sister, Dodie. The restoration of the family's affluence seems to hinge on Dodie's romances and hoped-for-marriage to a wealthy husband. But Dodie's ambivalence toward the rich and eligible Sonny confuses and upsets Ben. He wants to trust and believe in love, but worries that he may never find a girl to understand his romantic ideals.

Gary Kent was the king of B movies in the Sixties and Seventies, working for indie directors from Richard Rush to Ray Dennis Stickler to Al Adamson, but he's tackled even larger real-life challenges.

Five disturbing nightmares, ranging from the eerie to the erotic, guaranteed to keep you awake at night.

Composed of eight stories with comic overtones, all share the central theme of "love" and the extremes to which people will go to achieve it: unrequited love, deception and lust. They all offer a different take on the most difficult of human emotions: love.

William Burroughs and Antony Balch are seated next to each other, looking directly at the camera. Their dialogue goes something like, "I'm Tony, who are you? I'm Bill. Where are you Tony? I'm in London, where are you? I'm in a 1920s movie, Tony." First Bill speaks Tony's lines, then later the entire dialogue is repeated with the correct people speaking the lines. It is repeated again later with Bill's dialogue playing while Tony's lips move and vice versa. There are other permutations as well. 　　In between these scenes are shots of Burroughs and Balch sitting alone staring at the camera. They are dressed so that their heads seem to be floating in black space. Burroughs recites what might be some sort of Scientology ritual (he flirted with it for a time) about getting a "pre-clear" to imagine himself out of his head using pushing and pulling bars (?). Balch quotes some dialogue from the movie Freaks (a film which he was successful in finally getting past the British censors for distribution in the UK). Later, Burroughs appears again, but Balch speaks his lines about preclears. Likewise, when Balch reappears alone, Burroughs quotes from Freaks.